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The description :forum is an open-access peer-reviewed journal for postgraduate students working in culture and the arts....
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forum: university of edinburgh postgraduate journal of culture & the arts skip to main content skip to main navigation menu skip to site footer current all issues announcements new archived cfps about about the journal journal policies submissions subscribe editorial team contact mailing list search search register login welcome to forum , a peer-reviewed journal for postgraduate students working in culture and the arts. our objective is to create and foster a network for the exchange and circulation of ideas; we hope that you will find plenty of interest and inspiration among the articles we have published to date. announcements cfp issue 27: the gaze 21-jun-2018 forum call for papers, issue 27 (2018): the gaze mary cassatt, ‘in the loge’ (1878) the gaze is essential to the ownership and interpretation of art. even as the woman in cassatt’s ‘in the loge ’ gazes at the action onstage, she herself is being observed by the man in the background. in the london review of books, julian barnes writes: ‘it’s as if he’s telling her: don’t forget that the male gaze rules here, my good woman.’ from jane austen to #metoo, the recognition and subversion of the dominant gaze has repeatedly shed new light on cultural hierarchies. issue 27 of forum seeks contributions from a wide range of disciplines concerning the gaze, recognition, and identification. all aspects of culture and identity can be said to be subject to a form of the gaze - how does an art form interact with its audience? how does the presence of the gaze affect the ownership of a medium? how is the gaze redirected in subversive art? suggested topics include, but are not limited to: visibility and readership of subjugated narratives digital humanities and contemporary audiences the #metoo movement and the male gaze queer audiences and popular culture the gaze and hierarchical structures the male gaze in art and literature the onlooker in visual art cinema audiences in the 21st century the ‘selfie’ and social media viewership interactions of the audience with live performance the gaze in canonical literature the gaze and sexual identity historical perspectives on sight and reception the mutual gaze papers must be between 3,000 – 5,000 words in length, formatted according to mla guidelines . forum is also considering academic book reviews (1,000 words ) and multimedia or alternative presentations for publication. please e-mail your article, a short abstract, and your academic cv in separate, clearly labelled .doc(x) files to [email protected] by 11 september, 2018 . all eligible articles will be peer reviewed prior to publication. only one submission per author per issue is permitted. read more read more about cfp issue 27: the gaze what's new in llc? 2014-03-29 conference thank you! 2013-11-29 current issue no 26 (2018): countercultures antonio berni, manifestación (1934); museo de arte latinoamericano de buenos aires (malba), buenos aires, argentina recently, there has been an increase in mistrust regarding the political establishment. forms of expressing this disconformity have been at the centre of public and academic discussion. countercultures, as attempts to find an alternative to social conformity, are central to these expressions of dissent. books like angela nagle’s kill all normies: online culture wars from 4chan and tumblr to trump and the alt-right (2017) highlight the resurgence of youth subcultures in the last decade. correspondingly, counterculture movements on both sides of the political divide have seen their numbers multiplied. art, fashion, literature, cinema and music have historically been vehicles to express and disseminate dissent. from the murals of diego rivera to those of banksy, and from the romantic jacobins to the south african eff, dissenting and countercultural movements have used the arts to stand against powerful social institutions. likewise, countercultural movements have found their way into the politics of those who want to preserve the existing social structures. donald trump’s promise to ‘drain the swamp’ while reinforcing conservative values appealed to a large mass of us voters who saw the rise of the left as a menace to their lifestyle. in this context of anti-establishment sentiment, large corporations, too, have made use of the aesthetics of dissent for private gain, as was the case with pepsi co.’s controversial kendall jenner ad. issue 26 of forum engages with a range of disciplines that engage with the notions of counterculture and dissent. editors : maria torres-quevedo and valentina p. aparicio review team autumn 2017 : enti arends, tamara browne*, rachel chung, richard elliott*, miklas fahrenwaldt, kiefer holland*, anna kemball, june laurenson, dorothy lawrenson, kyriana lynch*, beata migut, aija oksman, alycia pirmohamed, vivek santayana, julie sorokurs, marianne tyvand, toni velikova, article editors are marked with a (*). published: 18-jun-2018 guest articles counter cultures ashanti alston pdf between hashtagging and hashtrending: counterculture, dissent and aesthetic politics chantelle gray van heerden all pdf spregelburd’s stubbornness benjamin bollig pdf articles the dissident is dead. long live the dissident – boris akunin and popular literature as counterculture under putinism anne liebig pdf toys and radical politics: the marxist import of toy story that time forgot jonathan hay pdf becoming-black bloc, becoming-anartist: the art of prolonging and remodulating counter-cultural lines of flight gian luigi biagini pdf the real deal: hip-hop mixtape artwork and black masculinity emmett robinson smith pdf reviews grace, laura jane. tranny: confessions of punk rock's most infamous anarchist sellout. new york: hachette, 2016. 320 pp. isbn: 9780316387958. £13.99. print. gina maya pdf berardi, franco ‘bifo.’ heroes: mass murder and suicide. london: verso, 2015. 224 pp. isbn: 9781781685785. £10.99. tomás vergara pdf view all issues issn 1749-9771 (online) forum is an open access journal. all material is licensed under a creative commons attribution 4.0 international (cc by 4.0) licence, unless otherwise stated. school of literatures, languages and cultures this journal is hosted by the university of edinburgh journal hosting service . take down policy | privacy policy | cookies
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